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Reviews. Cut'n'Mix: Culture, Identity and Caribbean Music. By Dick Hebdige. London &. New York: Comedia/Methuen, pp. Cut'n'Mix is much more.
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Trinidadians from the Port of Spain slums continued to poke fun at those in power and the tradition of open defiance reached its peak in the early s in the songs of Attila the Hun. During the War, when the American sailors were on the island, a new strain of protest worked itself out in calypso.
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Sparrow accused the Americans of exploiting West Indian people. As far as he was concerned, they were just as bad as the old European colonists: In African call and response, one person will sing a line and the rest will respond by singing a fixed chorus. Again, the call and response pattern shows how music in West Africa involves the whole community—everyone can join in. And calypsoes have the same structure too—each verse ends with a repeated chorus which the crowd soon learns to recognise.