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In "The Art of Moral Protest," James Jasper integrates diverse examples of The Art of Moral Protest: Culture, Biography, and Creativity in Social Movements.
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Culture, Biography, and Creativity in Social Movements. In The Art of Moral Protest , James Jasper integrates diverse examples of protest—from nineteenth-century boycotts to recent movements—into a distinctive new understanding of how social movements work. Jasper highlights their creativity, not only in forging new morals but in adopting courses of action and inventing organizational forms.


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The art of moral protest: However, I with thee have fixed my lot, Certain to undergo like doom; if death Consort with thee, death is to me as life; So forcible within my heart I feel The bond of nature draw me to my own, My own in thee, for what thou art is mine; Our state cannot be severed, we are one, One flesh; to lose thee were to lose myself. One might have assumed that cultural and emotional factors have always been central in analyses of social movements often, though too narrowly, called "protest movements". But that is far from true, as Jasper shows in his concise and very readable indeed the whole book is very readable overview of the history of previous scholarship.

Reacting against the early idea that such movements are merely irrational outbursts of feeling, the field has stressed rational calculations as the central and often the only relevant factors.

The Art of Moral Protest: Culture, Biography, and Creativity in Social Movements

The prevailing theory is that groups or entrepreneurial individuals , seeking to maximize their own interests, mobilize resources and seek out opportunities to use their resources most effectively. Those who calculate the interplay of interests, resources, and opportunities most accurately and deploy resources most efficiently are most likely to succeed.


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  • Eclipse fatale (FICTION) (French Edition)?
  • Pastoral (The New Critical Idiom).
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  • Cupids Folly.
  • Verbrechen und Strafe im Mittelalter (German Edition).

Jasper does not deny that these modes of analysis reveal important truths about social movements. He merely denies that they reveal all the truth. His book is an attempt to provide an overview of the whole field of social movement studies, interweaving familiar political and sociological factors with the new cultural and psychological factors he wants to emphasize.

The Art of Moral Protest: Culture, Biography, and Creativity in Social Movements by James M. Jasper

Jasper pays his respects to those who have gone before him, explaining the major innovations in the field during the last decade, studying social movements as cultural movements. But he suggests shortcomings in that work and constructive ways to move the field onward. Occasionally his complex analyses become overly pedantic, but more often they are subtle and thoughtful.


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  5. After this long historical introduction, Jasper moves on to his own synthetic overview, focusing first on individual biographies, then on intra-group culture, and finally on interactions between groups and their surrounding cultures. He draws heavily on his previous field studies of groups protesting nuclear power and promoting animal rights.

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    At every turn, he offers creative insights stemming from his broad understanding of the factors involved in such movements. Rhetoric is one of those factors, as any participant in a social movement surely knows. Jasper argues that rhetoric is especially important in recruiting new members and retaining their allegiance. Effective rhetoric is a resource that can sometimes compensate for a paucity of other kinds of resources money, access to media, etc. Rhetoric is effective when it connects the movement with the audience's world view and moral sensibilities.

    It is most effective when it creates a "moral shock" that touches some inchoate awareness of a problem and then moves the hearer to define it as a problem about which he or she can and must do something. This is most likely

    Laura Holman Rahman's Short "A Journey Shared : Reflections of Toni Cade Bambara" (2007,2008)