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She is haunted by guilt. After their coincidental meeting, Sethe creates Beloved to be what she needs her to be, the ghost of her dead daughter.
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Sethe grabbed her children, ran into the tool shed, and tried to kill them all. She succeeded only in killing her eldest daughter, then two years old, by running a saw along her neck. Sethe claims that she was "trying to put my babies where they would be safe. Without him, sense of reality and time moving forward disappears.

Sethe comes to believe that Beloved is the two-year-old daughter she murdered, whose tombstone reads only "Beloved". Sethe begins to spend carelessly and spoil Beloved out of guilt. Beloved becomes angry and more demanding, throwing tantrums when she doesn't get her way.

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Beloved's presence consumes Sethe's life to the point where she becomes depleted and sacrifices her own need for eating, while Beloved grows bigger and bigger. In the novel's climax, youngest daughter Denver reaches out and searches for help from the black community, and some of the village women arrive at the house to exorcise Beloved. At the same time, a white man comes into view, the same man that helped Halle's mother, Baby Suggs, by offering her the house as a place to stay after Halle bought her from their owner.

He has come for Denver, who asked him for a job, but Denver has not shared this information with Sethe. Unaware of the situation, Sethe attacks the white man with an ice pick and is brought down by the village women. While Sethe is confused and has a "re-memory" of her master coming again, Beloved disappears. The novel resolves with Denver becoming a working member of the community and Paul D returning to Sethe and pledging his love. The maternal bonds between Sethe and her children inhibit her own individuation and prevent the development of her self.

Sethe develops a dangerous maternal passion that results in the murder of one daughter, her own "best self", and the estrangement of the surviving daughter from the black community, both in an attempt to salvage her "fantasy of the future", her children, from a life in slavery. However, Sethe fails to recognize her daughter Denver's need for interaction with this community in order to enter into womanhood.

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Denver finally succeeds at the end of the novel in establishing her own self and embarking on her individuation with the help of Beloved. Contrary to Denver, Sethe only becomes individuated after Beloved's exorcism, at which point Sethe can fully accept the first relationship that is completely "for her", her relationship with Paul D.

This relationship relieves Sethe from the ensuing destruction of herself that resulted from the maternal bonds controlling her life. Beloved and Sethe are both very much emotionally impaired as a result of Sethe's previous enslavement. Slavery creates a situation where a mother is separated from her child, which has devastating consequences for both parties.

Furthermore, the earliest need a child has is related to the mother: Sethe is traumatized by the experience of having her milk stolen because it means she cannot form the symbolic bond between herself and her daughter. Because of the experiences of slavery, most slaves repressed these memories in an attempt to forget the past.

This repression and dissociation from the past causes a fragmentation of the self and a loss of true identity. Beloved serves to remind these characters of their repressed memories, eventually causing the reintegration of their selves.

Toni Morrison's Beloved: Slavery Haunting America

Slavery splits a person into a fragmented figure. As a result of suffering, the "self" becomes subject to a violent practice of making and unmaking, once acknowledged by an audience becomes real. Sethe, Paul D, and Baby Suggs who all fall short of such realization, are unable to remake their selves by trying to keep their pasts at bay. The 'self' is located in a word, defined by others. The power lies in the audience, or more precisely, in the word — once the word changes, so does the identity. All of the characters in Beloved face the challenge of an unmade self, composed of their "rememories" and defined by perceptions and language.

The barrier that keeps them from remaking of the self is the desire for an "uncomplicated past" and the fear that remembering will lead them to "a place they couldn't get back from. The discussion of manhood and masculinity is foreshadowed by the dominant meaning of Sethe's story. Beloved depicts slavery in two main emotions: Love and Self-Preservation, however, Morrison does more than depict emotions.

The Author dramatizes Paul D's enslavement to speak of his morals of manhood. In fact, it also distorts him from himself. Morrison expanded on this idea indirectly by revealing different pathways to the meaning of manhood by her stylistic devices. She established new information for understanding the legacy of slavery best depicted through stylistic devices.

Throughout the novel, Paul D's depiction of manhood was being challenged by the values of the white culture. She did this by character's motives and actions acquire. Paul D's is a victim of racial inferiority in that his dreams and goals are so high that he will never be able to achieve them because of the color of his skin. However, Paul D does not see color; he sees himself as the same status as his white counterparts even though, during this time, that was never possible.

He thought he earned his right to reach each of his goals because of his sacrifices and what he has been through previously in that society will pay him back and allow him to do what his heart desired. During the Reconstruction Era , Jim Crow laws were put in place to limit the movement and involvement of African-Americans in the white-dominant society. Black men during this time had to establish their own identity, which may seem impossible due to all the limitations put upon them.

Throughout the novel, Paul D is sitting on a base of some sort or a foundation like a tree stub or the steps, for instance. This exemplifies his place in society. Black men are the foundation of society because without their hard labor, the white men would not profit.

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In the novel, Sethe's child, Beloved, who was murdered by the hands of her mother haunts her. For example, Sethe, Denver, and Paul D go to the neighborhood carnival, which happens to be Sethe's first social outing since killing her daughter. When they return home, that is when Beloved appears at the house. Family relationships is an instrumental element of Beloved.

These family relationships help visualize the stress and the dismantlement of African-American families in this era. The slavery system did not allow African-Americans to have rights to themselves, to their family, belongings, and even their children. So, Sethe killing Beloved was deemed a peaceful act because Sethe believed that killing her daughter was saving them. After the Emancipation Proclamation was signed, ex-slave's families were broken and bruised because of the hardships they faced as slaves. Since slaves could not participate in societal events, they put their faith and trust in the supernatural.

They did rituals and pray to their God and most of them believed in a God, or multiple. The pain throughout this novel is universal because everyone involved in slavery was heavily scarred, whether that be physically, mentally, sociologically, or psychologically. This concept is played throughout history in early Christian contemplative tradition and African American blues tradition.

Beloved is a book of the systematic torture that ex-slaves had to deal with after the Emancipation Proclamation. Also, all the characters have had different experiences with slavery, which is why their stories and their narrative are distinct from each other. In addition to the pain, many major characters try to beautify pain in a way that diminishes what was done.

She repeats this to everyone, suggesting she is trying to find the beauty in her scar, even when they caused her extreme pain. Paul D and Baby Suggs both look away in disgust and deny that description of Sethe's scars. The memory of her ghost-like daughter plays a role of memory, grief and spite that separates Sethe and her late daughter.

For instance, Beloved stays in the house with Paul D and Sethe. A home is a place of vulnerability, where the heart lies. Paul D and Baby Suggs both suggest that Beloved is not invited into the home, but Sethe says otherwise because she sees Beloved, all grown and alive, instead of the pain of when Sethe murdered her.

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Sethe is the protagonist of the novel. She is a freed slave from a plantation called Sweet Home.

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  • She lives in the house named a house on Bluestone Rd. Her two sons have fled because of the haunting and she resides in the house with her daughter Denver. She is motherly and will do anything to protect her children from suffering the same abuses she had as a slave. Sethe is greatly influenced by her repression of the trauma she endured, she lives with "a tree on her back", scars from being whipped.

    Her character is resilient, yet defined by her traumatic past. The opaque understanding of Beloved is central to the novel. She is a young woman who mysteriously appears from a body of water near Sethe's house and is discovered soaking wet on the doorstep by Sethe, Paul D, and Denver, on their return from visiting the fair; they take her in. It is widely believed that she is the murdered baby who haunted , as the haunting ends when she arrives, and in many ways she behaves like a child.

    The murdered baby was unnamed, her name is derived from the engraving on Sethe's murdered baby's tombstone, which simply read "Beloved" because Sethe could not afford to engrave the word "Dearly" or anything else. Beloved becomes a catalyst to bring repressed trauma of the family to the surface, but also creates madness in the house and slowly depletes Sethe.

    Paul D retains his slave name. All the male slaves at Sweet Home were named Paul, yet he also retains many painful memories of his time as a slave and being forced to live in a chain gang. Many years after their time together at Sweet Home, Paul D and Sethe reunite and begin a romantic relationship.

    Denver is the only child of Sethe who is truly present in the novel. She is isolated by other young girls in the community because they fear the haunting of her house. Over the course of the novel Denver fights for her personal independence. Baby Suggs is the elderly mother of Halle. Halle works to buy her freedom, after which she travels to Cincinnati and establishes herself as a respected leader in the community. She lived in where the majority of the novel takes place in the present time.

    After Sethe's act of infanticide Baby Suggs retires to her death bed where she develops an obsession with colors and Sethe inherits the house after her death. Halle is the son of Baby Suggs, the husband of Sethe and father of her children. He and Sethe were married in Sweet Home, yet they got separated during her escape. He is not in the present of the novel, but is mentioned in flashbacks. Paul D was the last to see Halle, churning butter at Sweet Home. It is presumed he went mad after seeing residents of Sweet Home violating Sethe and raping her of her breast milk.

    His name is intentionally not capitalized throughout the novel. He is the most violent and abusive to the slaves at Sweet Home and eventually comes after Sethe following her escape but is unsuccessful in his attempt to recapture her and her children. Amy Denver is a compassionate, young white girl who finds Sethe desperately trying to make her way to safety after her escape from Sweet Home.

    Sethe is extremely pregnant at the time, and her feet are bleeding badly from the travel. In representing the failure of Sutpen himself, and of the masculine South that he signifies, Charles can only bring about more disaster. Though Beloved is an expression of maternal impossibility for Sethe and for black women of the day and though she wreaks havoc on the lives of the inhabitants of , her reappearance and subsequent disappearance allow Sethe to begin to come to terms with her own self-worth.

    It is as though by nature of being a maternal haunting, Beloved can be a constructive existence, healing wounds by allowing the mother figures of the community to come to terms with their own denied maternity. Beloved heals by permitting people like Denver and Paul D to recognize their own wanting. Sethe is described throughout the novel as having too much love for her children and Beloved is a manifestation of that excess. Conversely, as a paternal trauma, Charles Bon is left without the ability to heal the wounds inflicted on and by the South.

    His death is not a result of love. There can be no healing because the male Southern trauma comes from a different place than the maternal trauma of Beloved: Charles is the ghost which represents absence—the absence of redeeming love. His existence is therefore in direct opposition to that of Beloved, not an excess of love, but a deficit. Judith does not, cannot weep at his demise. Thomas Sutpen cannot tolerate the existence of an heir who has black blood. This in turn impacts the ending of the novel.

    Johns Hopkins UP, Morrison and Faulkner Re-envisioned. Ross, and Judith Bryant Wittenberg. U of Mississippi, Tiny URL for this post: Ann Bradley has written 3 articles on The Gothic Imagination. There are no responses to "Beloved and Charles Bon: Comments are closed for this post. Beloved and Charles Bon: