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Table of contents

  1. About Angela Hewitt!
  2. Never Say Never (Rose and Thorn Society);
  3. Francois Couperin - Harpsichord Pieces, Book 2, Suite 6, No. 1: Les Moissonneurs information!

Angela Hewitt is a highly esteemed pianist, particularly noted as a Bach performer, but accomplished in an exceptionally large repertory that embraces all eras of keyboard music. The daughter of an organist, Hewitt began to study piano at age three, making a public debut at the age of four, winning a scholarship at six, and eventually adding studies in ballet, singing, violin, and recorder.

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She entered the Royal Conservatory of Music in Toronto in , and gave her first recital there at the age of nine. In , she entered the University of Ottawa. She graduated with a bachelor of music degree at This led to a Deutsche Grammophon recording of Bach solo keyboard music that won critical acclaim and established her as one of the great Bach interpreters.

Hewitt has appeared in the world's major recital venues and on the concert platform with major orchestras around the world.

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Hewitt's vast repertory includes music from Bach to Messiaen. She is an avid chamber music performer, and often performs with leading singers and instrumentalists in North America and Europe. Her residence in England has not ended her close connection to Canada, and late in the s she founded an organization called Piano Six, devoted to bring major Canadian piano artists to the far-flung rural communities of the vast country. Their motto is "Keep live music alive. The new appointment was extremely prestigious and brought Couperin in contact with some of the finest composers of his time, as well as numerous members of the aristocracy.

About Angela Hewitt

His earliest chamber music dates from around that time. The numerous duties Couperin carried out at the court were accompanied by duties as organist at Saint Gervais, and also by the composition and publication of new music. He obtained a year royal privilege to publish in and used it immediately to issue the first volume out of four of his harpsichord works, Pieces de clavecin.

A harpsichord playing manual followed in , as well as other collections of keyboard and chamber music. In Couperin succeeded one of his most eminent colleagues, Jean-Baptiste-Henry d'Anglebert, as ordinaire de la musique de la chambre du roi pour le clavecin , one of the highest possible appointments for a court musician. However, his involvement in the musical activities at the court may have lessened after Louis XIV's death in Couperin's health declined steadily throughout the s.

Francois Couperin - Harpsichord Pieces, Book 2, Suite 6, No. 1: Les Moissonneurs sheet music

The services of a cousin were required by at Saint Gervais, and in Couperin's position as court harpsichordist was taken up by his daughter Marguerite-Antoinette. The composer died in The building where Couperin and his family lived since still stands and is located at the corner of the rue Radziwill and the rue des Petits Champs.

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  • The composer was survived by at least three of his children: Couperin acknowledged his debt to the Italian composer Corelli. He introduced Corelli's trio sonata form to France. His most famous book, L'art de toucher le clavecin "The Art of Harpsichord Playing", published in , contains suggestions for fingerings, touch, ornamentation and other features of keyboard technique.

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    Couperin's four volumes of harpsichord music, published in Paris in , , , and , contain over individual pieces, and he also published a book of Concerts Royaux which can be played as solo harpsichord pieces or as small chamber works. The four collections for harpsichord alone are grouped into ordres , a synonym of suites , containing traditional dances as well as pieces with descriptive titles.

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    They are notable for Couperin's detailed indication of ornaments, which in most harpsichord music of the period was left to the discretion of the player. The first and last pieces in an ordre were of the same tonality, but the middle pieces could be in other closely related tonalities. These volumes were admired by Johann Sebastian Bach , who exchanged letters with Couperin, and later by Brahms and by Ravel , who memorialized their composer in Le tombeau de Couperin Couperin's Memorial.

    Many of Couperin's keyboard pieces have evocative, picturesque titles such as " The little windmills " and " The mysterious barricades " and express a mood through key choices, adventurous harmonies and resolved discords. They have been likened to miniature tone poems. These features attracted Richard Strauss , who orchestrated some of them. Johannes Brahms 's piano music was influenced by the keyboard music of Couperin. The early-music expert Jordi Savall has written that Couperin was the "poet musician par excellence", who believed in "the ability of Music [with a capital M] to express itself in prose and poetry", and that "if we enter into the poetry of music we discover that it carries grace that is more beautiful than beauty itself".

    These masses are divided into many movements in accordance with the traditional structure of the Latin Mass: